love stories

for example features a touching story of love an older man has for the young Fanny even though she is emotionally devoted to the wayward father of her child. These are surely romantic notions but the situation itself is hardly romantic. is another prime example. It features two highly satisfying and endearing love stories though ultimately neither of them sends flutters of romantic sentiment through the heart (and I don’t believe they were ever intended to). Even as a man. I appreciate a good love story. I think as women read Danielle Steele novels to be swept away by a man of her dreams. I love a good Jane Austen novel because of its depiction of noble and honorable men finding an intelligent and independent woman in a pack if ninnies (and it helps that Austen’s characters are psychologically complex and are featured in fascinating stories of life in Edwardian England). I would go as far as to say there are very few great romantic stories at least in comparison to the number of them which are created. Perhaps this is because I’m too cynical or approach romantic comedies with too masculine a perspective and find corny Kate Hudson movies to be lacking in true romance that doesn’t induce dry heaves. So what makes for great romantic stories?Well first of all there has to be some substance to the characters. Character types and cardboard lovers fall flat. In college I had to read a section of a romance novel in a literature class and it was actually laughably funny (of course. I am a man so no offense ladies). The characters should have a psychology and live a plot that rise above the been-there-done-that a hundred times normalcy. The characters have to meet and fall in love in a reasonably realistic way. This is crucial because you have to believe that these characters are going to “make it.” People need to know each other before it can be believed that they will live happily ever after. There are more than a handful of musicals where the characters meet and fall madly in love in one scene which is completely fine. It just makes for a love story rather than a truly romantic one. There should be a clear reason why the characters love each other. Because she’s pretty and he’s strapping doesn’t work for a truly romantic story. I think of as a great example. Fiyero falls for Elphaba because he gets to know her. Because of this substance. “As Long as Your Mine” becomes a very romantic expression of mature love. The conflict should be romantic in nature. Romantic conflicts include but are not limited to two powerful personalities who clash despite (or because of) their strong feelings stories where there are roots to connect the lovers (like the woman loves for the man’s children too) love separated by circumstances horrible misunderstandings that keep lovers apart situations where one of the lovers almost makes a drastic and life-changing decision stories where the lovers change because of knowing the other and stories where two people have been together for years and are still (or are just realizing they are) madly in love. There are several situations that can inherently sink a story from being romantic. If the characters are too young to really end up happily ever after beyond the end of the show then it’s difficult to be too emotionally involved (unless the story is of another time or culture where youth equates into lasting relationships). Obsession is also inherently unromantic. It looks like love but it comes from an emotional void that can probably only be patched in other ways. Stories that depict the main character being intimate with other characters is also not very romantic. Also stories that are couched in insincerity lack romantic sentiment. Above all the story can’t be corny. I can’t think of any corny romantic musicals but other genres that tell romantic stories are often corny such as Hugh Grant winning Drew Barrymore’s heart by surprising her with a love song at a concert in That is not to say that there aren’t exceptions to rules. It’s always about how something is done. A musical about a barber who kills people and a woman who then bakes them into meat pies sounds gag-inducing but the execution (forgive me) is so expertly done it rises above all musical rules about not writing musicals about barbers who kill people and women who then bake them into meat pies. So now that the criteria have been established in my next blog entry. I’ll take a look at the ten most romantic Broadway musicals the Broadway MouthOctober 6. 2007 Is there something interesting going on in your show? Is there a big piece of casting news to leak? Do you have the inside scoop?The Broadway Mouth wants to know!As always keep it positive and friendly (As you mother always said do unto others. .) but I'd love to hear and share with my readers. No one loves Broadway and Broadway folk like the Broadway Mouth so share it with someone who cares. And of course your identity will be safe with me. Email: I am a former English/drama teacher on the path to achieving the American dream of being produced on Broadway. Once I cross the first major hurdle—getting produced—I would love to move from librettist to librettist and producer. My dream involves being a versatile writer who gets a new show on the boards yearly. My interests in musicals vary from raucous musical comedies (Hello. Dolly!) to sprawling dramas (Jane Eyre) to pop operas (Les Miserables) to high concept shows (Follies) to moving musical plays (Fanny). And I want to write them all.

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for example features a touching story of love an older man has for the young Fanny even though she is emotionally devoted to the wayward father of her child. These are surely romantic notions but the situation itself is hardly romantic. is another prime example. It features two highly satisfying and endearing love stories though ultimately neither of them sends flutters of romantic sentiment through the heart (and I don’t believe they were ever intended to). Even as a man. I appreciate a good love story. I think as women read Danielle Steele novels to be swept away by a man of her dreams. I love a good Jane Austen novel because of its depiction of noble and honorable men finding an intelligent and independent woman in a pack if ninnies (and it helps that Austen’s characters are psychologically complex and are featured in fascinating stories of life in Edwardian England). I would go as far as to say there are very few great romantic stories at least in comparison to the number of them which are created. Perhaps this is because I’m too cynical or approach romantic comedies with too masculine a perspective and find corny Kate Hudson movies to be lacking in true romance that doesn’t induce dry heaves. So what makes for great romantic stories?Well first of all there has to be some substance to the characters. Character types and cardboard lovers fall flat. In college I had to read a section of a romance novel in a literature class and it was actually laughably funny (of course. I am a man so no offense ladies). The characters should have a psychology and live a plot that rise above the been-there-done-that a hundred times normalcy. The characters have to meet and fall in love in a reasonably realistic way. This is crucial because you have to believe that these characters are going to “make it.” People need to know each other before it can be believed that they will live happily ever after. There are more than a handful of musicals where the characters meet and fall madly in love in one scene which is completely fine. It just makes for a love story rather than a truly romantic one. There should be a clear reason why the characters love each other. Because she’s pretty and he’s strapping doesn’t work for a truly romantic story. I think of as a great example. Fiyero falls for Elphaba because he gets to know her. Because of this substance. “As Long as Your Mine” becomes a very romantic expression of mature love. The conflict should be romantic in nature. Romantic conflicts include but are not limited to two powerful personalities who clash despite (or because of) their strong feelings stories where there are roots to connect the lovers (like the woman loves for the man’s children too) love separated by circumstances horrible misunderstandings that keep lovers apart situations where one of the lovers almost makes a drastic and life-changing decision stories where the lovers change because of knowing the other and stories where two people have been together for years and are still (or are just realizing they are) madly in love. There are several situations that can inherently sink a story from being romantic. If the characters are too young to really end up happily ever after beyond the end of the show then it’s difficult to be too emotionally involved (unless the story is of another time or culture where youth equates into lasting relationships). Obsession is also inherently unromantic. It looks like love but it comes from an emotional void that can probably only be patched in other ways. Stories that depict the main character being intimate with other characters is also not very romantic. Also stories that are couched in insincerity lack romantic sentiment. Above all the story can’t be corny. I can’t think of any corny romantic musicals but other genres that tell romantic stories are often corny such as Hugh Grant winning Drew Barrymore’s heart by surprising her with a love song at a concert in That is not to say that there aren’t exceptions to rules. It’s always about how something is done. A musical about a barber who kills people and a woman who then bakes them into meat pies sounds gag-inducing but the execution (forgive me) is so expertly done it rises above all musical rules about not writing musicals about barbers who kill people and women who then bake them into meat pies. So now that the criteria have been established in my next blog entry. I’ll take a look at the ten most romantic Broadway musicals the Broadway MouthOctober 6. 2007 Is there something interesting going on in your show? Is there a big piece of casting news to leak? Do you have the inside scoop?The Broadway Mouth wants to know!As always keep it positive and friendly (As you mother always said do unto others. .) but I'd love to hear and share with my readers. No one loves Broadway and Broadway folk like the Broadway Mouth so share it with someone who cares. And of course your identity will be safe with me. Email: I am a former English/drama teacher on the path to achieving the American dream of being produced on Broadway. Once I cross the first major hurdle—getting produced—I would love to move from librettist to librettist and producer. My dream involves being a versatile writer who gets a new show on the boards yearly. My interests in musicals vary from raucous musical comedies (Hello. Dolly!) to sprawling dramas (Jane Eyre) to pop operas (Les Miserables) to high concept shows (Follies) to moving musical plays (Fanny). And I want to write them all.

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for example features a touching story of love an older man has for the young Fanny even though she is emotionally devoted to the wayward father of her child. These are surely romantic notions but the situation itself is hardly romantic. is another prime example. It features two highly satisfying and endearing love stories though ultimately neither of them sends flutters of romantic sentiment through the heart (and I don’t believe they were ever intended to). Even as a man. I appreciate a good love story. I think as women read Danielle Steele novels to be swept away by a man of her dreams. I love a good Jane Austen novel because of its depiction of noble and honorable men finding an intelligent and independent woman in a pack if ninnies (and it helps that Austen’s characters are psychologically complex and are featured in fascinating stories of life in Edwardian England). I would go as far as to say there are very few great romantic stories at least in comparison to the number of them which are created. Perhaps this is because I’m too cynical or approach romantic comedies with too masculine a perspective and find corny Kate Hudson movies to be lacking in true romance that doesn’t induce dry heaves. So what makes for great romantic stories?Well first of all there has to be some substance to the characters. Character types and cardboard lovers fall flat. In college I had to read a section of a romance novel in a literature class and it was actually laughably funny (of course. I am a man so no offense ladies). The characters should have a psychology and live a plot that rise above the been-there-done-that a hundred times normalcy. The characters have to meet and fall in love in a reasonably realistic way. This is crucial because you have to believe that these characters are going to “make it.” People need to know each other before it can be believed that they will live happily ever after. There are more than a handful of musicals where the characters meet and fall madly in love in one scene which is completely fine. It just makes for a love story rather than a truly romantic one. There should be a clear reason why the characters love each other. Because she’s pretty and he’s strapping doesn’t work for a truly romantic story. I think of as a great example. Fiyero falls for Elphaba because he gets to know her. Because of this substance. “As Long as Your Mine” becomes a very romantic expression of mature love. The conflict should be romantic in nature. Romantic conflicts include but are not limited to two powerful personalities who clash despite (or because of) their strong feelings stories where there are roots to connect the lovers (like the woman loves for the man’s children too) love separated by circumstances horrible misunderstandings that keep lovers apart situations where one of the lovers almost makes a drastic and life-changing decision stories where the lovers change because of knowing the other and stories where two people have been together for years and are still (or are just realizing they are) madly in love. There are several situations that can inherently sink a story from being romantic. If the characters are too young to really end up happily ever after beyond the end of the show then it’s difficult to be too emotionally involved (unless the story is of another time or culture where youth equates into lasting relationships). Obsession is also inherently unromantic. It looks like love but it comes from an emotional void that can probably only be patched in other ways. Stories that depict the main character being intimate with other characters is also not very romantic. Also stories that are couched in insincerity lack romantic sentiment. Above all the story can’t be corny. I can’t think of any corny romantic musicals but other genres that tell romantic stories are often corny such as Hugh Grant winning Drew Barrymore’s heart by surprising her with a love song at a concert in That is not to say that there aren’t exceptions to rules. It’s always about how something is done. A musical about a barber who kills people and a woman who then bakes them into meat pies sounds gag-inducing but the execution (forgive me) is so expertly done it rises above all musical rules about not writing musicals about barbers who kill people and women who then bake them into meat pies. So now that the criteria have been established in my next blog entry. I’ll take a look at the ten most romantic Broadway musicals the Broadway MouthOctober 6. 2007 Is there something interesting going on in your show? Is there a big piece of casting news to leak? Do you have the inside scoop?The Broadway Mouth wants to know!As always keep it positive and friendly (As you mother always said do unto others. .) but I'd love to hear and share with my readers. No one loves Broadway and Broadway folk like the Broadway Mouth so share it with someone who cares. And of course your identity will be safe with me. Email: I am a former English/drama teacher on the path to achieving the American dream of being produced on Broadway. Once I cross the first major hurdle—getting produced—I would love to move from librettist to librettist and producer. My dream involves being a versatile writer who gets a new show on the boards yearly. My interests in musicals vary from raucous musical comedies (Hello. Dolly!) to sprawling dramas (Jane Eyre) to pop operas (Les Miserables) to high concept shows (Follies) to moving musical plays (Fanny). And I want to write them all.

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He loves her he loves her not -- either way it's ecstasy or misery when your daughter starts to like boys and experiences her first infatuations and puppy loves. How do parents help keep their daughter's feet on the ground when her head is in the clouds? How do they back up girls when a boy causes heartache? We would like to interview women and girls about their first experiences with being boy crazy and parents who can give tips about guiding a newly infatuated teen. Please communicate Kellie B. Gormly at 412-320-7824 or via or Rebecca Killian at 724-226-4669. Adjusting to a new stepparent is difficult for kids but what about adults whose older parents re-marry? How do you accept or at least alter to a parent's new spouse? We would desire to interview people about their experiences with this. gratify contact Kellie B. Gormly at 412-320-7824 or via or Rebecca Killian at 724-226-3669.

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It is sad and painful that a young man meet his end under such tragic circumstances. For a mother to lose a son is something everybody is sorry about regardless of caste creed or religion. What bothers me is the hype and go created by everybody. If it is murder the guilty must be punished but until then is it fair to the Todis to be disgraced by all? Nobody has a right to call him a murderer until investigations are over User Votes: 2. Anonymous Votes: 1. Story Karma: 12.80 The truth that makes men remove is for the most part the truth which men prefer not to hear. - Herbert Agar

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Based on the diaries and letters of Nargis. Sunil and their daughter Priya as well as on conversations and interviews with family and friends. Darlingji – as they often addressed each other – is a probing yet affectionate biography of two extraordinary people and their love for each other. User Votes: 5. Anonymous Votes: 1. Story Karma: 32.08 The truth that makes men remove is for the most move the truth which men like not to comprehend. - Herbert Agar

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I'll adjudge to being a sucker for a love story. But I don't want to experience all the details of the story of cover or to really have a similar memory. That would make it less a love story since my empathetic response would come to the fore. In my opinion a good love story is the. A great love story is. The former gave us "as you wish." The latter makes me check behind all framed art in hotels for challenge marks. It's a plot point but I digress. In this week's edition of the East divide. I write about the Hangens. They're a young couple who plan on spending a lot of their lives away from home doing mission work. Talking with them. I got the comprehend that not only are they dedicated to their respective callings but that what they have between them is this amazing love story trifecta: there's the love they each have in their faith the love they each undergo for the populate they work with abroad and then the love they have for one another. Those three loves are made mammoth by the doubling of them and the. I evaluate they'd agree. My and love story examples above are complicated beautiful pieces of fiction. The Hangens' love story is simple straightforward and fearless. Maybe that's what made my writing turn to the fictive when I was trying to inform what was so enormous about these alter people. They do have some of that boy-meets-girl loses-girl gets-girl in their story but what's less common about them could be written like this: It was freezing in the safari jeep they’d pulled the canvas top back and alter is a wisp of a woman anyway. She remembers the cold and viewing birds giraffe maybe some hyena and antelope. She remembers her boyfriend taking her through savanna hit taller than she following a Hippopotamus trail and she remembers the remove at the advance of the river. Matt Hangen remembers a lot less of that day. His nerves were pretty high. "I was being lead to two things at once," he said. "to unify her and to act to Togo. They both had to bring home the bacon out. It was kind of a package deal." It might be written that way but not in a. Obviously I had to invent the dialog after interviewing both of them and hearing their accounts of the proposal. Not very reporterly behavior at all.. but I was just so taken with the story. Their story. That the proposal happened in a bet lay in Kenya is exotic sure but these are people who. The Hangens married measure December. Wednesday you can read about what they're doing about the Togo move of Matt's "package deal." This is a great story. I met the Hangens last month at a Togo missions conference in Dallas; wish I'd gotten to know them exceed. I think God loves writing romance stories for those who seek Him and not romance. My own story is another example -- Alabama boy living in Benin (that's in West Africa) meets Singaporean girl living in Ghana (that's two countries west of Benin with Togo in between). They go in love get married in Ghana pay the first five years of their marriage in Benin and the next five in Togo. Now they've somehow ended up in Texas.

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—The enter adaptation is the quintessential romantic story (and my favorite movie since childhood) and it is also the only inspect where the movie actually improved upon the Broadway show. But just because the film improves upon the romantic factor by adding location scenes (as well as additional material and re-organizing the songs) which helps create a stronger attach between the children and Maria as well as strengthening the bond between Maria and the Georg it doesn’t mean that the original stage version doesn’t succeed independently. There is something incredibly romantic about a love story that includes incredible children. It’s probably part of the happily ever after factor (or in love forever factor) which is so important for a romantic story because here we have one giant happy family when all is said and done. It’s beautiful. 7. when Tevye presses Golda to answer. “Do you love me?”Her response sums it up quite well. She sings. “Do I love him? / For twenty-five years I’ve lived with him. / Fought with him starved with him. / Twenty-five years my bed is his. / If that’s not love what is?” Despite my postulations on what makes for a great romantic story. Golda has pretty much summed it up—It’s the daily expressions and motions the shared experiences and the drawing closer together that is really what love is about. The romantic story is also augmented by the experiences of the three daughters. While they are young they each alter severe choices in following their loves choices rooted in cause and purpose rather than emotion and whims. You can safely assume that each of these daughters will live with a decide of struggle but also with a life companion to share her pains.6. —You undergo a conman wanting to take favor of a seemingly simple small-town woman change surface going so far as to appraise Hester Prynne for her scarlet earn. However in attempting to woo her in order to deceive her he falls head-over-heels for her Irish imagination her Iowa stubbornness and her library full of books. Marion is no foolish small town chickie so when she accepts him for what he’s done for the community in spite of his con she’s making a conscious decision and not one rooted in romantic notions. It is only when he changes that she really falls for him. Above all we love Harold forge despite his con and we love Marion for her stubbornness. You can help but cheer for them in the end.5. —Here are two titanic personalities who clearly love each other deeply but can’t risk the gamble to adjudge it. Because of their mutual hard-headedness (or maybe their mutual insecurities) they almost desire out on their chance to have each other forever. Their song “Wunderbar” is beautiful for what it develops their relationship when they have their guard drink. “So In Love” then becomes icing on the cake.4. —Opposites draw and when those opposites change state not-very-opposite and fall deeply in love it’s romantic. desire many great love stories it starts with the characters. Aida is a wonderful character and her strength and determination is sexier than however the woman may be who is playing her. Though Radames starts out a jerk his change is heart makes him a respectable guy (also we be to bequeath his kindness to a young Mereb which attests to his inner nice-guys beginnings). Because we are presented with these two characters we inherently like we root for their love. It begins as something physical but it becomes a union of similar personalities a one-in-a-kind sort of love. Their love is deep which is defined through several songs most powerfully “Written in the Stars,” which is passionate even though it is about parting forever. And yes. I can hardly resist the ending in which they die in each others’ arms.3. —Here we have a peripheral love story of a married couple separated by many miles and yet. Edwards and Stone furnish us several very romantic moments. John and Abigail Adams undergo a relationship firmly founded on mutual love and respect which is always sexy. He huffs and fumes and she picks on him; it’s a relationship that can only be formed through years of marriage and love. And theirs is a love that has survived separation and strife only to change stronger. It’s beautiful when Abigail asks John about the women in Virginia obviously troubled by the months apart and knowing his wife so well he basically says. “Don’t mind. These women can’t hold a examine to you.” Similarly when he is in his moment of desperation and everything seems to be caving in she is there to build him up as well. When she ends the play of “Yours. Yours. Yours” with the sending of saltpetre the subtext of the challenge is “I love you and accept in you.” That’s more romantic than a touch or a touch. If most stories with romance portray the much-desired search for love then 1776 gives us the love we hope to undergo forever.2. —While it’s not written as a love song. “Luck Be a Lady” is probably one of the most romantic songs ever to appear on a Broadway stage. First of all there’s a romance that develops from dishonorable circumstances which could forever split apart the lovers (and almost does). Sarah Brown is a very sweet and passionate woman who sincerely intends to go great things. I would argue that she is a very modern engrave. Sky Masterson while a gambler is a respectable and honorable fellow. He does take Miss Sarah to Havana and even gets her drunk (unintentionally I believe) but he never intends for it to be harmful. After he realizes that she has downed too many drinks he takes care of her and keeps her from harm or embarrassment. When Sarah thinks that Sky has used her and leaves him once they’ve both fallen in love the audience’s heart aches for these two who people who earnestly love each other but could be forever parted because of a misunderstanding. That’s why “Luck Be a Lady” is such a romantic song because of the desperation in which it is sung. Sky realizes he has screwed things up (with Nathan’s back up) and this is his one chance to fix things up and get her approve. 1. —I experience this’ll be controversial but I can’t think of a more romantic story ever (and I saw the stage version before I ever picked up the novel so I didn’t register the Brooks Atkinson with any novel-based expectations). It starts with two strong characters. Jane may be ugly but she is one of the most beautiful women in all literature. I love how strong Jane is. I esteem greatly how she refuses to give in to her passions because she realizes that it would betray her conscience and her comprehend of self-worth. I rest in awe of how she refuses the Rochester family jewels as a sign of her independence and her refusal to lose herself in the signs of wealth. I also adore Jane for her love of knowledge and learning and how that has shaped her view of the world. Rochester while certainly flawed is also a very endearing character in how he treats his women. This complex topic could be discussed in a multi-page analysis which I’ll abandon but the fact that he has done his best to act care of Bertha Mason and to recognise his wedding vows despite the difficult circumstances in a time when the insane were discarded and locked up under.

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…humans love stories of epiphanies because they change magnitude the sweat-effort failure and plain old hard bring home the bacon that goes into coming up with something that is truly innovative… the story of Newton sitting under the apple channelise conveniently de-emphasizes his 15 years of dedication and chew over to the affect.

By Tameka Norris Life makes me be to tell my story. But it’s almost frightening to tell my story since I’ve been used to keeping it to myself for so desire. I anticipate the only reason you really express a story like this is because it can do some good. For you and for others. Love is about risks. Life is about risks. And sometimes you’ve just gotta take a few… Michael and I spent nearly four years talking to one another online before we met. And out of those four years we spent three of them in love. And now four years later and three months after we’ve met things are different and still much the same. We pay almost every single weekend talking to one another online. Ours is a story of love that faces obstacles. A story of interracial love. A story of age differences. A story of acceptance. A story of belief differences. And a story of love seperated by two countries. I fell in love with him online before we ever met. But how couldn’t I? He was Michael. I evaluate the definition of true love really becomes alter when love presents more obstacles than it does convenience. When all there seems to be is one obstacle after another proving to you that you undergo absolutely no control over the prove of the love between you and someone else. And the only thing that you can do is give into it and truly love no matter what. This is my story. This is my life. From the day I met Michael to before there was us… I had never went out with anyone. No one I could claim was mine or offer myself as a affirm to. The only person that had ever occupied my measure besides Michael was John. An eight year crush that I swore at the time was love. From the moment I saw him when I was ten years old up until I turned eighteen. It was love at first sight. No one could express me there wasn’t wedding bells in my future. I swore I even heard them the moment I laid eyes on John. I was absolutely sure that he would marry me someday. And that I would be Mrs. Alderman. After that I collected every moment that I could to support my feelings. What we had in common. His birthday. His hobbies. Where he lived. Anything and everything. It didn’t matter. After all I loved him… …so I thought. Now I know differently. I justify the feelings now by saying that what I felt for John was my only comprehension of what love was at the measure but not the true definition of love in its purest form. It was a create of love. But not change surface change state to what love truly is. Looking back now. He was nothing other than a elaborated infatuation that was mainly built on dreams. I never really knew him at all. And except for a few brief run-ins we barely even spoke. I convey what was I expecting? A miracle. No one ever looked at a fat black girl with bad hair and acne. I barely even looked at myself. I convey for heaven sakes I didn’t be any reminding that I wasn’t “qualified for the position.” A girl’s gotta conceive of alter? Once I initially came to my senses… eight years and an unanswered love letter later I realized that hell would freeze over and the fat lady would undergo to sing before John ever loved me. And alas. I forced myself to finally move on. object you it wasn’t easy. A geek only has dreams and when those are shattered. It presents a problem… …the fact that fairy tales don’t exist. At least not for girls desire me anyway. So I sucked it up and chugged along. Miserable for many reasons beyond that. A broken family. No friends a sense of hopelessness with no reason to be. All I’d known was misery… all I entangle was miserable. Suicide seemed like the answer. And for a apprise time I thought it was. I even tried to end it all with a bottle of pills. But I speculate if you really be to kill yourself you don’t try to end it the easy way. You alter sure that if you’re going to end it… there’s no going back. But a failed attempt at suicide hadn’t changed my perspective although in some morose aspect I was glad I was still alive. Just not happy to be alive. If that makes sense. All of the in between seemed to be a black cloud when I be back. Nothing seemed to satisfy me. There was this big whole in my heart and I was terribly lonely. I had moved and I was no longer talking to my best friend. So I had no friends at all. I had graduated high educate several years prior and had no idea how to improve my life. My mother and I were living together and my sister had moved off to Los Angeles. The loneliness was weighing in on me. So I prayed that God would send me a friend and then I hopped online and came across a website and emailed several populate. I got a couple of responses back. Lol… I still bequeath one in particular. One guy told me he preferred to communicate with someone a little younger. I guess he was a little too young when I think about it. Twenty-three was suddenly “old” for an 18 year old. After him a few came and a few.

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