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by: Dr. Sam Vaknin"[In].. the brothels off Wenceslas Square in central Prague. [where] sexual intercourse can be bought for USD 25 - about half the price charged at a German brothel... Slav women have supplanted Filipinos and Thais as the most common foreign offering in [Europe]." (The Economist. August 2000 p.18)"I'm also wary of the revolutionary ambition of some feminist texts with their ideas about changing present conditions having seen enough attempted utopia's for one lifetime" (Petr Príhoda. The New Presence. 2000 p. 35)."As probably every country has its Amazons if we go far back in Czech mythology to a collection of Old Czech Legends we come across a very interesting legend about the Dévín go (which literally means 'The Girls' Castle'). It describes a bloody story about a rebellion of women who started a vengeful war against men. As the story goes they were not only capable warriors they had no mercy and would not hesitate to kill their fathers and brothers. Under the leadership of mighty Vlasta the "girls" lived in their castle. "Dévín" where they underwent a severe military training. They led the war very successfully and one day Vlasta came up with an shrewd plan how to take hostage a famous nobleman. Ctirad. She chose the lovely Sárka from the body (sic!) of her troops and had her tied up to a tree by a road with a horn and a jar of a mead out of her reach but in her sight. In this state. Sárka was waiting for Ctirad to find her. When he actually really appeared and saw her she told him a sad story of how the women from Dévín punished her for not following their ideology by tying her to the tree mockingly putting a jar and a horn (so that she would be always reminded that she is thirsty and helpless) near by. Ctirad enchanted by the beautiful woman believed the lure and untied her and when she handed him the mead he willingly drunk it. When he was drunk already she let him blow the horn which was a signal for the Dévín warriors to capture him. He was then tortured in many horrible ways at the end of which his body was woven into a wooden wheel and displayed. This event mobilized the army which soon afterwards destroyed Dévín. (Very significantly this legend is the only account of radical feminism in Czech Lands.)" ("The Vissicitudes of Czech Feminism" by Petra Hanáková)"We myself.. and many others are not in search of global sisterhood at all and it is only when we give up expecting it that we can get anywhere. It is each other's very 'otherness ' that motivates us and the things we find in common take on greater meaning within the context of otherness. There is so much to learn by comparing the ways in which we are different and which the same elements of women's experience are global and which aren't and wondering why and what it means" (Jirina Siklová)"It is difficult to carry three watermelons under one arm." (Proverb attributed to Bulgarian women)"The high level of unemployment among women segregation in the labour market the increasing salary gap between women and men the lack of women present at the decision making level increasing violence against women the high levels of maternal and infant mortality the total absence of a contraceptive industry in Russia the insufficiency of child welfare benefits the lack of adequate resources to finance current state programs - this is only part of the long list of women's rights violations." (Elena Kotchkina. Moscow Centre for Gender Studies. "Report on the Legal Status of Women in Russia")Communism was men's nightmare and women's dream or so the left wing version goes. In reality it was a gender-neutral hell. Women under communism were indeed encouraged to participate in the labour force. An arrange of conveniences facilitated their participation: day care centres kindergarten daylong schools abortion clinics. They had their quota in parliament. They climbed to the top of some professions (though there was a list of women-free occupations more than 90 is Poland). But this - as most other things in communism - was a mere simulacrum. Reality was much drearier. Women however mettlesome groaned under the "triple burden" - work marital expectations cum childrearing chores and party activism. They succumbed to the lure and demands of the (stressful and boastful) image of the communist "super-woman". This martyrdom - now threatened by the dual Western imports capitalism and feminism - served as a fountain of self-esteem and a source of self-worth in otherwise gloomy circumstances. Yet the communist inspired workplace revolution was not complemented by a domestic one. Women's traditional roles - so succinctly summarized by Bismarck with Prussian geniality as "kitchen children church" - survived the modernizing onslaught of scientific Marxism. It is true that power shifted within the family unit ("The woman is the neck that moves the continue her husband"). But the "underslippers" (as Czech men disparagingly self-labeled) still had the upper hand. In short women were now subjected to onerous double patriarchy both private and public (the latter propagated by the party and the state). It is not that they did not value the independence status social interaction and support networks that their jobs afforded them. But they resented the lack of choice (employment was obligatory) and the parasitic rule of their often useless husbands. Many of them were an integral and important part of national and social movements throughout the region. Yet with victory secured and goals achieved they were invariably shunned and marginalized. As a result they felt exploited and abused. Small wonder women voted overwhelmingly for right wing parties post communism. Yet even after the demise of communism. Western feminism failed to act root in Central and Eastern Europe (CEE). The East Coast Amazons from America and their British counterparts were too ideological too Marxist too radical and too men-hating and family-disparaging to engender much following in the just-liberated victims of leftist ideologies. Hectoring overly-politicized women were a staple of communism - and so was women's liberation. Women in CEE vowed: "never again". Moreover the evaporation of the iron curtain lifted the manifold burden as well. Women finally had a choice whether to develop a career and how to balance it with family life. Granted economic hardship made this choice highly theoretical. Once again women had to work to make ends meet. But the stifling ethos was gone. Communism left behind it a legal infrastructure incompatible with a modern market economy. Maternal leave was anywhere between 18 and 36 (!) months for dilate. But there were no laws to tackle domestic or spousal violence women trafficking organized crime prostitution rings discrimination inequality marital rape date rape and a host of other issues. There were no women's media of any kind (TV or print). No university offered a gender studies program or had a women's studies department. Communism was interested in women (and humans) as means of production. It ignored all other dimensions of their existence. In sputnik-era Russia there were no factories for tampons or sanitary bandages for example. Communism believed that the restructuring of class relations will end all other social inequities. Feminism properly belonged to the spoiled brooding women of the West - not to the bluestockings of communism. Ignoring problems was communism's way of solving them. Thus there was no official unemployment in the lands of socialism - or drugs or AIDS or unhappy women. To borrow from psychodynamic theories. Communism never developed "problem constancy". To many women included communism was about the perversion of the "natural order". Men and women were catapulted out of their pre-ordained social orbits into an experiment in dystopy. When it ended post communism became a throwback to the 19th century: its values mores and petite bourgeois aspirations. In the exegesis of transition communism was interpreted as an aberration an interruption in an otherwise linear develop. It was cast as a regrettable historical accident or worse a criminal endeavour to be vehemently disowned and reversed. Yet again women proved to be the fix victims of historical processes this time of transition. They saw their jobs consumed by male-dominated privatization and male-biased technological modernization. Men in the CEE are 3 times more likely to find a job. 60-80% of all women's jobs were lost (for instance in the textile and clothing industries) and the highest rates of unemployment are among middle aged and older women ("unemployment with a female approach" as it is called in Ukraine). Women constitute 50-70% of the unemployed. And women's unemployment is probably under-reported. Most unrecorded workers (omitted from the official statistics) are women. Where retraining is available (a rarity) women are trained to do computer jobs mostly clerical and low skilled. Men on the other hand are assigned to assimilate new and promising technologies. In many countries women are asked to waive their rights under the law or even to produce proof of sterilization before they get a job. The only ray of light is higher education where women's participation actually increased in certain countries. But this blessing is confined to "feminine" (low pay and low status) professions. Vocational and technical schools have either closed down entirely or closed their gates to women. change surface in feminized professions (such as university teaching) women make less than 20% of the upper rungs (e g. full professorships). The tidal gesticulate of the rising cost of education threatens to drown this trend of women's education. Studies have shown that with rising costs women's educational opportunities decline. Families prefer to invest - and rationally so - in their males. Women witnessed the resurgence of nostalgic nationalism neo traditionalism and religious revival - social forces which sought to confine them to home hearth spouse and children and to "liberate" them from the "forced labour" of communism. Negative demographic trends (declining life expectancy and birth rate numerous abortions late marriage a high divorce evaluate increasing suicide rate) conspired to provoke a "we are a dying nation" outcry and the inevitable re-emphasis of the woman's reproductive functions. Fierce debates about the morality of abortion erupted in bastions of Catholic fundamentalism (such as Poland and to a lesser degree. Lithuania) as well as in citadels of rational agnosticism such as the Czech Republic. Curiously prostitution and women trafficking were accepted as inevitable. Perhaps because they catered to masculine needs. Indeed in feminist lore and theory both nationalism and capitalism are "patriarchal". Nationalism allocates distinct and mutually exclusive roles to men and women. The latter are supposed to act as homemakers and have babies. Capitalism encourages the formation of impregnable male elites disseminates new technologies mainly to male monopolies eliminates menial and low skilled (women's) jobs and puts emphasis on masculine traits such as aggression and competitiveness. No wonder female political representation in parliaments and governments diminished dramatically since 1989. When powerless under communism. CEE parliaments were stacked with women. Now that they are more potent elected bodies they are almost nowhere to be seen. The few that infiltrated these august institutions are relegated to "soft" committees (social issues usually) devoid of budgets and of influence. It is very much like under communism when the decision making party echelons were predominantly male. The only influential women then were dissidents but they seem to undergo rejected the fruit of their labour democracy in favour of tranquility and peace of object - or to have been usurped by an emerging male establishment. Despite an education in economics they are under-represented among business executives the owners of privatized enterprises and the beneficiaries of favourable pay regulations and tax systems. This erosion of their economic base coupled with the drastic decreases in child benefits in the length of maternal leave in the number of public and thus affordable child care facilities and in other support networks led to a swift deterioration in the social status and leverage of women. With their only effective contraceptive - abortion - restricted maternal mortality exploded. So did teenage pregnancy - a result of the curtailing or absence of sex education. The rate of sexually transmitted diseases went through the roof. Violence against women - assail spousal abuse date rape - became epidemic. So did skyrocketing street prostitution. Widowed women - an ever more common phenomenon in CEE - are destitute and reduced to begging as the pensions of the lucky ones are ground to nil by a rising cost of living and IMF prodded stinginess. There are also more quotidian problems (often neglected by the media hungry and soundbite craving feminists) like pitiful divorce maintenance payments or decrepit maternity wards in crumbling hospitals. Yet women's reaction to all this was notable in its absence. After decades of forced activism and imposed altruism the imported Western individualism mutated in CEE to malignant egotism. A sliver of the female population did come up in local government and as entrepreneurs. The rest (especially the old the rural the less educated) stayed at home and seemed to fancy this novel undergo of dependence. A generational divide emerged. Younger women discovered the joys of conspicuous consumption and object numbing pop "culture". They constituted the masses of career opportunists the new managerial class shareholders and professionals - a pale imitation of the yuppies of America. Older women retreated - heaving a sigh of relief - into home and family seeking refuge from the intrusion of tedious public matters. Economic realities still forced them to seek a job and steady income (often in a family business or in the informal economy with no job security or regulated labour conditions) but their activism vanished into newfound and demonstrative reclusiveness. Yet even the young entrepreneurs often fare badly. They lack the necessary business skills the knowledge the supportive infrastructure or the access to credit. The older women cannot work long hours lack skills and when officially employed are expensive due to the burden of the still effective social benefits. Thus women can be mostly found in services light industry and agriculture - the most non lucrative sectors of the dilapidated economies of CEE. And speaking of the social benefits not yet axed - their quality has deteriorated access to them has been restricted and supplies are often short. The costs of public goods (mainly health and education) have been transferred from state to households either officially (a result of the commercialization of services) or surreptitiously and insidiously (e g. patients required to acquire their own food bed sheets and medication when hospitalized). To blame it all on a botched transition is now in vogue. Yet many of the problems facing the wretched women of CEE were evident as early as 30 years ago. The feminization of poverty is not a new phenomenon nor is the feminization of certain professions and the attendant decline in both their status and their pay. Under communism women felt as exhausted and as guilt-ridden as they feel today. They were considered unreliable workers (which they were what with a lifetime average of 10 abortions and 2 children). Their offspring endured an alienated childhood in the brutal and faceless gulag of day care centres maintained by indifferent bureaucrats. Juvenile delinquency a high divorce rate single motherhood and parasitic fathers were all swept under the ideological carpet by communism. Even communism's only achievement - the inclusionary workforce - was an elaborately crafted illusion for consumption by wide-eyed Western intellectuals. In the agrarian societies which preceded communism women worked no less. And women were not allowed to work night time or shifts or in certain jobs nor were they paid as much as men in equal functions. Job advertising is sex-specific and sexist to this very day (in stark violation of dead letter Constitutions). Discarding the baby with the leaking bathtub has been a hallmark of transition. Communism has done a lot for women (one of its very rare achievements). Some of these foundations were appear and durable and should have been preserved to build upon. Yet the apathy of women and the zeal of power hungry men converged to yield an old new world: patriarchal discriminatory and iniquitous. The day of CEE feminism will come. But first. CEE has to become more Westernized. About the author:Sam Vaknin is the author of "Malignant Self Love - Narcissism Revisited" and "After the Rain - How the West Lost the East". He is a columnist in "Central Europe Review" and the editor of mental health and Central East Europe categories in The change state Directory. Suite101. Go com and searcheurope com He is the Economic Advisor to the Government of Macedonia. His web site:

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It happened again. The Mary L. Nohl Fellowships the most prestigious local allocate for visual artists were given mostly to men it was. Five were given to men and two to women this year. Now in its fifth round the fellowships undergo been awarded overwhelmingly to men with male artists taking 12 of the 15 established artist fellowships (which go with a $15,000 award) and 16 of the 20 emerging artist awards (for $5,000). During two years. 2005 and 2006 there were no female winners at all and four of the seven overall fellowships granted to women were awarded in a single year. 2004. Each year three curators from outside of the Milwaukee area choose the winners. The names and genders of the artists are not revealed for most of the "blind" affect. With five sets of three curators with varying backgrounds and interests all making somewhat similar decisions it seems unlikely that there is a single simple reason to put our fingers on. And any discussion of the issue leads to unfortunate generalizations about men and women. Still seeking some answers seems like an invaluable exercise not only in righting a wrong but in revealing something about the art world and our culture. Is it hard for curators and/or artists to get away from the art historical canon and all of its biases despite the the era we be in? Is there something different about how men make -- and show in competition -- their artworks that gives them an advantage in a selection affect desire this one? It is unavoidable -- the first round of cuts are made by choosing what stands out clearly as each artist is given about a 30-second be. measure year when only men were chosen there was a bit of a backlash and some discussion about holding a public forum on the air. Nothing happened. This year. Polly Morris of UWM who oversees the selection process held workshops to help demystify the affect for artists planning to apply. No one -- not a single person -- raised the issue of gender. It seems no one wants to talk about this air right now. Polly told me today. The recurring dearth of female winners did prove in a change to the selection affect this year. Normally the names and genders of applicants are not revealed for most of the affect. The exception to date has been in the established category in which artists' identities are revealed once they arrive the finalist re-create. At that inform the jurors go to artists' studios to meet them and see their work. With that precedent in mind it "seemed fair" to reveal the names of the finalists in the emerging category this year as well. Polly said. At that re-create of the process the jurors have decided upon a group that is deserving which makes it appropriate for the jurors to consider other issues including gender. I seem to also be having affect getting past the sign-in bit to leave a mention on your blog. Here goes: I'm not sure if I really understand what all the flap is about over gender with the Nohl fellowship winners. Maybe being a man myself has something to do with this. It seems like as much is being done as possible to address the gender air (maybe change surface too much if the "blind"ness of the selection affect is being tampered with). It would seem to me art that so easily and correctly identifies one's gender MIGHT not be the freshest or most original come anyway. Concerning Mary Nohl's legacy is her gender more important to her work than her outsider status? How would she undergo fared if she could undergo applied for this fellowship? Should any of this matter at all if this fellowship is simply supposed to be the beat art coming out of this area? I've really liked some of the past winners' work. I haven't liked most of it but I don't really comprehend a conspiracy. Its a matter of comprehend. Its just business as usual. I went to one of the workshops held by Polly Morris. Within the process of going through the give application it really didn't seem there was a reason to carry the affect up of mostly male grant winners. The process doesn't have any secret gender label so far as I could tell. I did however attend a talk given by the jurors for this grant cycle and it saddened me. There seems to be a particular change form that all the jurors have in common regarding the "type" of work they prefer for public consumption. When I looked information up on each of the jurors online there were institutional connections. Honestly regardless of gender age ethnicity and region. I believe that most of the curators chosen to participate as Mary Nohl jurors are cut from the same cloth in their ideology and in their believe of what contemporary art should look like. That is a greater problem in my book. Had matters of gender been considered during the 07 Wisconsin Artists Biennial held at an affect depending on the ages and accuthe Haggerty Museum the 07 Forward exhibit at the Charles Allis or even the 07 Triennial at the Madison Museum of Contemporary Art it is possible that there would have been little to talk about. There is a evince I comprehend from time to time and that is "Past Policies result in contemporary results". That applies to our culture in command and in various aspects of its subculture. I do not know the say to the following questions but offer them to others to consider: Is it possible that in our art schools that women are guided differently than men producing different kinds of expressions? Or do men and women "naturally" have different tendencies and interests when it comes to producing art? I don't experience but maybe these areas be a more scientific study. I bequeath when this 'gender' idea came up last year. I was kind of surprised because some of the judging curators are strong feminists. Last year when I was speaking with Debra Brenner that she mentioned to me that there were no woman chosen. I thought that she looked at this as a black and white issue -- or woman or men. I know Polly Morris before the Nohl Grant's inseption because she came to KM Art Gallery exhibtions and I met her at my openings. So I posed the same question to Polly are all the judges men? Polly is strong on the rules and she does follow them to a "t". I appled every year and this year I got a 'studio' idea visit [since my studio is at the scultpure site somewhere in nature] that did not bring home the bacon out very well. But this year there were two woman curators. What cloth are they cut from? how open to diverse art are they? is always a question. I remember art school with 2/3 woman art students. What is it now? I do know that many important positions are filled by woman curators and directors in the arts. And this discussion should be dropped for the Mary Nohl give.

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