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Dick Dale wasn't nicknamed "King of the Surf Guitar" for nothing: he pretty much invented the call single-handedly and no be who copied or expanded upon his blueprint he remained the fieriest most technically gifted musician the genre ever produced. Dale's pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music and predated the teaching of such "exotic" scales in guitar-shredder academies by two decades. The breakneck go of his single-note staccato picking technique was unrivalled until it entered the repertoires of coat virtuosos desire Eddie Van Halen and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren't the only reasons Dale was once called the father of heavy metal. Working closely with the Fender affiliate. Dale continually pushed the limits of electric amplification technology helping to create new equipment that was capable of producing the thick clearly defined tones he heard in his continue at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects creating a signature sonic texture for glide instrumentals. And if all that weren't enough. Dale managed to define his equip while essentially playing it upside-down and backwards -- he switched sides in order to compete left-handed but without re-stringing it (as Hendrix later did). Dick Dale was born Richard Monsour in Boston in 1937; his create was Lebanese his care Polish. As a child he was exposed to folk music from both cultures which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing and found his first musical hero in drummer Gene Krupa who later wound up influencing a percussive come to guitar so intense that Dale regularly broke the heaviest-gauge strings available and fasten his picks down to nothing several times in the same song. He taught himself to compete country songs on the ukulele and soon graduated to guitar where he was also self-taught. His father encouraged him and offered career guidance and in 1954 the family moved to Southern California. At the suggestion of a country DJ. Monsour adopted the re-create name Dick Dale and began performing in local talent shows where his budding arouse in rockabilly made him a popular act. He recorded a demo song. "Ooh-Whee Marie," for the local Del-Fi label which was later released as a single on his father's new Del-Tone act upon and distributed locally. During the late '50s. Dale also became an avid surfer and soon set about finding ways to copy the surging sounds and feelings of the feature and the ocean on his guitar. He quickly developed a highly distinctive instrumental appear and open an enthusiastic ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom a once-defunct concert venue come Newport land with his backing band the Del-Tones; as word spread and gigs at other local halls followed. Dale became a wildly popular attraction drawing 1,000s of fans to every performance. In September 1961. Del-Tone released Dale's single "Let's Go Trippin'," which is generally acknowledged to be the very first recorded glide instrumental."Let's Go Trippin'" was a huge local hit and change surface charted nationally. Dale released a few more local singles including "Jungle Fever," "Miserlou," and "glide defeat," and in 1962 issued his (and surf music's) first album the groundbreaking Surfer's Choice on Del-Tone. Surfer's Choice sold like hotcakes around Southern California which earned Dale a assure with Capitol Records and national distribution for Surfer's Choice. Dale was featured in Life magazine in 1963 which led to appearances on The Ed Sullivan show and the Frankie/Annette film land celebrate; he also released the follow-up LP King of the glide Guitar and went on to air three more albums on Capitol through 1965. During that measure he developed a change state working relationship with Leo Fender who kept engineering bigger and better appear systems in response to Dale's appetite for louder more maniacally energetic live performances. Surf music became a national fad with groups desire the land Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups all of which were indebted in some way to Dale. But in 1964 the British Invasion stole much of glide's move and Dale was dropped by Capitol in 1965. He remained a wildly popular local act but in 1966 he was diagnosed with rectal cancer which forced him to temporarily retire from music. He defeat the disease however and soon began pursuing other interests: owning and caring for a variety of endangered animals studying martial arts designing his parents' dream house and learning to control planes. In 1979 a puncture hurt suffered while surfing off Newport Beach led to a pollution-related infection that nearly be him his leg; Dale soon added environmental activist to his resumé. In addition to all of that. Dale performed occasionally around Southern California throughout the '70s and '80s. In 1986. Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center's burn unit (which had helped him recuperate from potentially serious injuries) and the following year appeared in the beach-movie sendup Back to the land. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on the Chantays' glide staple "Pipeline," which was nominated for a Grammy for Best move back and forth Instrumental. In 1991. Dale did a guest spot on an album by the San Francisco-based Psychefunkapus and a successful Bay Area gig got him signed with Hightone Records. The album Tribal Thunder was released in 1993 but Dale's comeback didn't get into full displace until in 1994. "Miserlou" was chosen as the opening theme to Quentin Tarantino's blockbuster film take out Fiction. "Miserlou" became synonymous with take out Fiction's ultra-hip sense of style and was soon licensed in countless commercials (as were several other Dale tracks). As a prove. Tribal Thunder and its 1994 follow-up Unknown Territory attracted lots of attention earning positive reviews and surprisingly strong sales. In 1996 he supported the Beggars host album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour. Adding his wife and young drum-playing son to his band. Dale refocused on touring over the next few years. He finally returned with a new CD in 2001. Spacial Disorientation issued on the small Sin-Drome denominate.() [Bio & Info © allmusic com]If this one doesn't rock your socks off you might as come up take up watching American Idol!! In loving memory of the late great Stevie Ray Vaughn. It's already 17 years ago that he sadly passed away.» »
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http://rockgems.blogspot.com/2007/08/dick-dale-his-del-tones-with-stevie-ray.html
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